House of the Past - Art Journal Collage and Paint

I don't throw out much. I used to throw out mistakes, wanted to scrub them, forget them, move away from them.  Now I think mistakes are generally lying in wait, ready to be cut up and made into something that makes them even more awkward and even more terrific.

This piece didn't involve mistakes, per se, but proof prints with colors that weren't what I wanted. Printing greeting cards particularly seems to result in a lot of "oh, crap!" moments. I intend to get through this pile eventually, adding them to journal pages like this one.

Finished Up

So here's the finished spread from a few days back. Some changes, but not too major. I find I'm waiting for a lot of things in my life right now, one of them is the end of a steroid taper, that's the most concrete of them. If you have ever done a long one of these, you'll know the feeling.

I've also  been playing with watercolor. Everything they say is so true about it - it's hard. It's wildly uncontrollable. It's so easy to create hideous badness. And it's fun.

Journal Page - The Difficult

I got out the gelli plate the other night - monotype with a press is my "thing" - years ago I had an artist residency at MN book arts for my monotype work.  It's completely different without a press, but I think I'm going to enjoy wrestling with this little silicone blob until I like the results.

 Her crown and dress are some very subtle mossy gelli printed papers. Collage, watercolor, stamping, drawing - other than the water color washes almost all the paint is applied with a tsukineko fantastix foam stick. I'm still crazy for those things.  I should keep a running list of supplies I find "worth it."

Mixed Media on Loose Fabriano Watercolor

I am trying not to go ape and throw poo be bummed about YET MORE SNOW. Enough. Any time now.

Well, even if I'm kept indoors at least I can play. This is like the rainy day activity that never ends.

In GOOD news, it is the anniversary of Paint Party Friday! PPF has introduced me to many talented and friendly bloggers/artists, and it's one of those nice blog parties that makes a self-employed freelancer feel just that tiniest bit less like a cave dwelling hermit. YAY PPF. Here's to many many more!

Journal Page - The Possible

I've got a Moleskine A4 that I've been kind of precious about using because it's expensive watercolor paper and a nice binding and blah.

What a mistake that was! It's nice to get out of the square format of my usual journals. I do love Bee paper recycled 9x9's quite a lot, mainly because I find them heavyweight enough for all that I throw at them AND nicely portable.

But the Moleskine? There's obviously a reason they're popular. I believe these to go in the "worth every penny" category. It's just really pleasant to play with water media on the right kind of paper, and still have the option to keep things bound.

What's all this then?

Watercolor, my own carved stamps, pigment ink, commercial background stamp, acrylic, gesso, caran d'ache crayon, acrylic ink with a crowquill pen, charcoal, washi tape, alpha stamp. Whew!

You probably don't need a psych degree to tell that things are turning around a bit for me, too. The hopeless malaise of a flare that lasts for unknown amounts of time is over. I'm moving away from misery - for how long who can say, but my experience tells me I can now dig in and get on with the rest of my year, with any luck!

The body may be a step behind, but the mind is light and ready to say yes to things.

Ask/Ask - Art Journal Page

No matter how old you get, you and your mother will probably have this dialogue.

.....

technical sidestep of further navel-gazing time!
There's some of that tasty hand stamping, you can see where I started.

Gelatos again. I think they're a definite candidate for my next BRUTALLY HONEST PRODUCT REVIEW segment - will they pass the test? As always, it depends what you are testing!

Also used - 99 cent alpha stamp, posca, charcoal, pencil, gesso.

I draw him so I can talk about you without talking about you - Art journal Every Day

Acrylic, acrylic ink, poscas, washi tape (a little)

I used a wooden embellishment from Michaels as a mask, and went over my background with Tattered Angels spay in "cork."  Also some distress ink around the borders.

The sparrow is a print and cut from my own work - I drew him freehand from an 1860 or so ornithological reference picture. Then when I liked the stage the sketch was at - you guessed it - scan and print onto computer paper, cut and paste and paint over the sketch, used as an underpainting.

liquitex Acrylic Inks and Journaling.

Hi friends.

I love to shop. I love to buy things as much as the next person.  Hence my expanding stash. Ever ever expanding.

But I am also pretty hard on products for the mixed media market.  I'm kind of a manufacturer's design team nightmare, but the one who takes me on and gives me good product will love me forever.

I've actually got more formal training than I'd like to discuss, and I tend to compare crafter's products to the things I used in school - and usually they do ok.

But in the case of pens, they often come up short. Pens, what gives?

Wanna know the *only* pens that get me hot and bothered?
1. Uni Posca. Good luck finding these babies, but when you can get them in a 1 mm tell me you're not in love.
2. Uniball signo white. But it was a bad ro-mo-ma-ha-ha because it has gummed up on a dry ground that had a tiny bit of watercolor crayon in the mix.  ET TU SIGNO???
3. PITT - but generally for lick your finger and intentionally smear that stuff applications only.

I don't like seeing people caught up in the hype of product wasting money over and over.  OK I'll speak for myself -  I feel like I did, when it came to pens which are either not archival at all  (sharpies, gelly rolls I have doubts over) OR they're just cranky and terrible to use and you go through a hundred nibs. (Sharpies! A million sharpie carcasses ALL OVER. Copic likes to die a seven dollar death over any kind of paint or medium. Coloring stamps has to be the ONLY great use for a Copic, or under watercolor or something really transparent and inky and washy and too pretty for me to have made, ha!)

 Like a lot of art journalers, I'm often on the quest for a better pen.

One that won't dry out. One that won't gum up and make you cry the second it might touch wet paint. One that you don't have to shake like a maniac.  One that covers. You hear me pens? COVERS.

 One that is KIND to my left handed chicken scratch inscrutable handwriting. Blah.

Well, I found my pen! Actually what I found are my inks - Liquitex acrylic inks, to be exact.  I use a good ol' dip pen. Why?

Control is terrific - if you're a lefty like me, you have to watch out for smearing, but other than that, your line quality gets 1000 times more interesting in just one easy installment, ha.

The white ink (how I love it) allows you to mix opaque pretty colors with great coverage - and you can get the exact shade you need without having to run out and get another six dollar pen that is only going to die the second it encounters gesso (I'm looking at YOU Copic!)

Honestly, don't be intimidated by brush and pen and ink - really. The simple speedball set which comes with a tiny crowquill pen is the way to go, for me, but I'm probably going to want some calligraphy tips too.  The sets are about 9 bucks, and the ink is about 20 in a primary color plus brown black and white set - but the life that you get from this setup seems MUCH longer than a lot of the journaling pens I've collected, all of which disappoint me except for Uni Posca.

What do you think? Have you played with traditional pen and ink? Any mileage with the liquitex inks?